According to Rolling Stone writer Brittany Spanos, Swift’s new album “picks up where the pure pop triptych of 1989, Reputation, and Lover left off, a dazzling bath of synths complementing lyrics caught between a love story and a revenge plot.”

For LA Times pop critic Mikael Wood, the songwriting and vocal performances in “Midnights” carry the album.

“She’s playing with cadence and emphasizing the grain of her voice like never before … eventually you stop caring what’s drawn directly from Swift’s real life and what’s not,” he writes.

Giving “Midnights” 8 out of 10, website Clash Music’s Matthew Neale writes that the album “feels both voyeuristic in its exposition and brash in its execution.”

“Defined by dark nights of the soul and cast in the same bluish-purple hues, ‘Midnights’ offers little of revelatory purpose to those who have yet to succumb to Swift’s charms,” he explained. “For those already swayed by her craft, however, it may reasonably go on to be recognized as her best album to date.”